- Posts
- 13
- Joined
- Jan 1970
Hi there, I’m a man who hasn’t been locked before but likes the concept in my daydreams. As I’ve mentioned elsewhere, you can grasp the Mansion through a conceptual or theoretical lens. Here though, I want to offer an artistic reading of those gallery photos showing penises in cages. Kant, Schiller, and Hegel shared the view that our encounter with beautiful art is essentially an experience of freedom. Kant focused on the internal sensation we get when looking at beauty; when I look at images of locked penises, I feel a sort of awe-inspired vertigo. It’s the grand act of liberty—the males choosing to be locked—and the autonomy this grants their KHs that strikes me most. Schiller took a different tack, locating beauty within the object itself (the photos themselves). Under his criteria, these images qualify as beautiful art if they display an appearance of freedom even though the subject isn’t truly free. I’d argue the visible freedom belongs to the KH. The twist? Even after using her will to get a man locked, she isn’t entirely free in the noumenal sense. For example, in our daily empirical world, she still has to follow laws and live conventionally. Moreover, buoyed by new sexual confidence and dominance, she might feel driven to constantly demonstrate this freedom to others—in the Mansion, on Fetlife, or in real life. Taken too far, this compulsion could become a form of unfreedom. Hegel diverges from Schiller by claiming that great art reveals true freedom, not just its semblance. One way to see it is as images created by free-spirited dominant women for other spirited dominants to showcase their liberty, using the Mansion as the medium. Hegel also believed art’s content should be divinity embodied in humanity. Rather than leaving it up to others to decide if locked penises fit this description, I argue they clearly do, given the acts of freedom involved (the male agreeing to lock and the KH exercising her will afterward). I’d love to hear your thoughts.